The evolution of The Japanese House has been a lesson in slowly peeling back the layers. The musical moniker of Buckinghamshire-born Amber Bain (the name inspired by a childhood holiday home once owned by Kate Winslet) was part of a concerted attempt to use generalities as opposed to specifics. That also meant there were no press pictures to accompany her early EPs of skittering electronic hymnals, while her voice was often buried beneath ghostly, often androgynous effects. On Good at Falling, her debut album, the walls come tumbling down, with Bain picking at the scabs of a broken relationship with the sort of direct candour that would have seemed unimaginable when she arrived in 2015.